Wednesday, April 26, 2006

TR campaign speech

My friend Meenakshi had the good fortune of attending an election meeting addressed by T. Rajendar and he had sent us an email with some of the interesting points that he observed from his trademark speech. Thought everyone should get a hearty laugh out of this and hence posting it here. Thanks Meenakshi for sending these across & sorry if you had thought about posting it too :)

வைகோ
நீ ஒரு சைகோ
நீ எங்கேயாவது போய்கோ
மொத்தத்தில நீ ஒரு பொய்கோ

நான் எடுத்த படம் ஒருதலை ராகம்
ஆனா வைகோ நீ ஒருதலை நாகம்

வெச்சுக்காத என் கிட்ட வம்பு
என் பையன் பேரு சிம்பு
வில்லுக்கு தேவை அம்பு
வானம் வசப்படும் அதை தொட எம்பு
கலைஞரை நீ என்னிக்கும் நம்பு

ஜெயலலிதா ரொம்ப adamant-u
முடிஞ்சா நீ விட்டு பாரு statement-u
முடியாது, ஏன்னா அது தான் அவங்க judgement-u
அது தான் நீங்க போட்ட agreement-u

and to me, the following one was the ultimate

நான் வாழ்ந்தது இல்ல தன்மானத்தை வித்து
ஏன் என்றால் சுயமரியாதை என்னோட சொத்து
சிலம்பரசன் நான் பெத்தெடுத்த முத்து
அவன் நடிச்ச படம் பேரு 'குத்து'
உதயசூரியன் சின்னத்தை பார்த்து நீ வோட்டை குத்து

Sunday, April 23, 2006

Happy Birthday to the Cricketing God!!


It is that day of the year again - April 24th. As our beloved Sachin enters his 34th year of his life on earth and we begin our 18th year of living the Sachin experience, here's wishing the Master the very best in the new year!! With his 5th (& probably his last - I feel terrible as I type the word 'last') World cup due in the new year, let us hope that Sachin comes back with renewed vigour & strength from his injuries and blast his way through the upcoming world cup. Saluting the Master on this very special day...

Friday, April 21, 2006

Trip to Tulip Town






Last weekend, had been to the Tulip festival here in Mount Vernon, some 60 miles north of Seattle. These pictures are from my trip to the Tulip town. The amazing thing about these flowers is they have been grown in such a way that they bloom exactly during the month of April. The organizers of this Tulip festival are spot on when they say Bloom Dates According to Mother Nature. Awesome and truly memorable experience with the pictures too coming out great.

If you are anywhere in the Pacific northwest region, this is a must-do activity before it gets over by the end of this month.

Wednesday, April 19, 2006

India trip movies reviews - Part III

Finishing off the movie reviews of my India trip, a good 45 days after I came back from India :)

Kalvanin Kaadhali - This is one movie I wouldn't have watched in my wildest dreams, for SJS is one guy whom I hate to the end of the world. He, as a director, is at best a one film wonder (Vaali). When my room-mate was watching Anbe Aariyire in his laptop sitting in a couch near me, I was so annoyed & irritated by his voice ( you have to note here that I did not even actually SEE one single frame of the movie) that I just asked him to go into his room & watch it. Given all that, the one reason I still ventured to see this movie was Yuvan's foot-tapping songs, about which I had written here. But to my horror, I found that the songs were completely a torture to sit through just bcos of SJS. My most favorite part which comes in the Eno kangal song where Yuvan sings the lines 'adi naakkula', was completely unbearable with SJS acting like a clown & making a complete fool of himself with his dance steps. If Surya is the one reason why you should stay away from the movie, Nayanthara is the one reason why you SHOULD watch the movie. She was the only saving grace in the movie. She was so beautiful and surprisingly, considering the tagline of the movie 36-28-36, there were no indecent exposures :) She redeems herself after an insipid & disgusting performance in Ghajini. It was in fact Vivek's comedy that was full of double entendres and kind of left a bad taste in the mouth. There were a couple of interesting observations that I loved when the credits rolled - while Multiple Star for SJS was disgusting, it was made up for when Yuvan's name was shown with the title Ilaiya Isaignani. How true it is!! All said and done, I will have to add that the movie is not that bad as the Vikatan review made it out to be. Remove SJS from the movie and this would definitely have been a (in)decent & watchable movie.

Kalaaba Kaadhalan - My friend rightly called this movie 'the female version of Vaali'. Even given that, it is definitely a novel attempt. The movie's plot obviously is something which should have the creative juices in the director flowing but he completely missed it. It was very obvious that the director was kind of confused on how to finish the movie and it showed in the abrupt ending the movie had. But Arya was a major disappointment. he was just clueless as to how to emote. When I saw him in Arindhum Ariyaamalum (and now in Pattiyal), he came across as such a natural actor. So, it was disappointing to see such a performance from him in this movie. Both the heroines though had done their roles pretty well. The only memory I guess everyone will carry from this movie is the beautifully decorated & furnished apartment that the majority of the movie is shot. I am sure everyone would love to decorate their apartment like it. The fact that I didn't carry any other memory out of the movie should say something about the movie. Novel attempt but clueless execution.

Sandaikozhi - A picture perfect masala movie from Lingusaamy who disappointed his fans with a Ji earlier. To me, Yuvan's songs and Vishal were clearly the highlights of the movie. Meera Jasmine was her usual cherubical self in the movie, though it must be added that she should try to shed a few pounds near her waist. She looks bloated in many scenes. Something about Vishal makes him very likeable. May be, the fact that he is dark & tall and looks like a real Tamil hero. He emotes quite well and what stood out in this movie were the action sequences. The fight scenes are something which we all have come to hate by now. But surprisingly, in this movie, I was glued to the screen during the fight scenes. May be the fact that Vishal has a good physique makes the fights all the more believable. A review of Sandaikozhi will be incomplete without a mention of Raj Kiran’s performance. Completely different from his role in Thavamaai Thavam Irundhu, this role was a cake walk for him since he has already done exactly similar roles in movies like Nandha (though I have to admit that this is no way near that performance). The best thing about the movie, I thought, was the way in which Lingusaamy had beautifully blended the screenplay in both the rural & urban settings. I can not recall any movie in recent time which does that as well as Sandaikozhi has done. I thought it takes some special skill to do that and Lingusaamy has done it admirably in this movie.

Among the songs set to tune by Yuvan, the Dhavani potta deepavali song is just vintage Ilaiyaraja (more like the Sokka podu pottaale song from Daas and this one is actually better) and even the other songs in the movie were catchy and fitted perfectly well with the flow of the story. While the simple tune of the song will make you like the song instantly, at the same time, it is highly infectious which would make you listen to the song umpteen number of times. The picturization of songs were extremely well-done and I simply loved the choreography in almost all of them. The way the important twist in the movie is unfolded was just awesome and caught me by complete surprise. All those scenes (from the bus fight scene when Vishal comes to know who Kaasi is) leading to the Mundaasu sooriyane song were gripping & sets us for an interesting second-half. In spite of the Run hangover which is evident in more than one scene, the fact that the movie is thoroughly enjoyable and is a hit back in our place should be a testimony to Lingusamy's adeptness to come up with a well-knit screenplay. The absence of a separate comedy track (something we saw in Run) is a major relief and an added advantage to the movie. Overall, an eminently watchable movie with a racy screenplay and all the necessary ingredients for a successful masala movie.

Wednesday, April 12, 2006

Few gas saving tips...

High oil prices is always something to worry about and with reports that gas prices might break the 3$ a gallon mark, I was looking around for tips that would help us go easy on gas consumption. Found the following points from the Seattle Gas Prices site. I added some thoughts of mine (in italics) to each of the 10 points and bingo, I have a post to make :)

1. Avoid High Speeds – As your speed increases, your aerodynamic drag increases in an exponential fashion. Driving 62 mph (100 km/h) vs 75 mph (120 km/h) will reduce fuel consumption by about 15%.

I am sure we all might have come across this point before. The less fast you go, the better mileage you get.

2. Do Not Accelerate or Brake Hard - By anticipating the traffic and applying slow steady acceleration and braking, fuel economy may increase by as much as 20%.

The former is the reason why the mileage decreases in mountainous areas and latter is the reason why the city mileage is usually low

3. Keep Tires Properly - Inflated Keep tire air pressure at the level recommended by your vehicle manufacturer. A single tire under inflated by 2 PSI, increases fuel consumption by 1%.

One of the popular gas saving tips but at the same time, easily the most overlooked one too.

4. Use A/C Sparingly - When the air conditioner is on it puts extra load on the engine forcing more fuel to be used (by about 20%). The defrost position on most vehicles also uses the air conditioner.

Another popular one and something which everyone tries their best to adhere to but in this country with extreme summer & winter temperatures, there is little chance to avoid using them.

5. Keep Windows Closed - Windows open, especially at highway speeds, increase drag and result in decreased fuel economy of up to 10%.

This was something new. The explanation made perfect sense though.

6. Service Vehicle Regularly - Proper maintenance avoids poor fuel economy related to dirty air filters, old spark plugs or low fluid levels.

Again a popular one and something which we all tend to do promptly, particularly if its a new vehicle.

7. Use Cruise Control - Maintaining a constant speed over long distances often saves gas.

My only doubt among all these points. I have heard that driving a car in cruise mode actually makes it to use up more fuel. I have only heard the opposite of it. Bcos say you are climbing uphill in cruise mode, then the car, in order to keep up the speed, will use more acceleration and thus result in more fuel usage. Correct answers, anyone?

8. Avoid Heavy Loads - Remove the sand bags from your trunk in the spring and pack lightly for long trips.

Does it also mean that driving with 4 passengers uses up more fuel than driving with none? That is interesting.

9. Avoid Long Idles - If you anticipate being stopped for more than 1 minute, shut off the car. Restarting the car uses less fuel than letting it idle for this time.

This is kind of a tricky one since not many signals do have the facility to convey the minutes remaining for the signal to change. It is sprucing up in India. I haven’t seen it in the 4 states I have lived so far here - Texas, Ohio, Alabama and Washington. Has anyone seen it here in the US?

10. Purchase a Fuel Efficient Vehicle - When buying a new vehicle examine the vehicle's rated fuel efficiency. Usually choosing a small vehicle with a manual transmission will provide you with great fuel economy.

This is the one which makes no sense. I mean, when one is looking for gas saving tips with the car they have, they recommend you to buy a fuel efficient vehicle. They might as well have asked to buy a hybrid vehicle.

Courtesy:
Seattle Gas Prices

Any other tips that you would like to share? You are most welcome…

Chennai Dangerous

This write-up here is full of spoilers about the movie Pattiyal. So, if you are someone who hasn’t seen the movie yet, please stop right here, as you will not find the movie enjoyable after reading this. Anyway, for those who have ventured past that fore warning - the first lesson I learnt from watching Pattiyal is this - if you know that a film is inspired from another film, please do not watch the original first. If you do that, it is going to just wipe off any interest in the film that was inspired from it, no matter how good it turns out to be. That is what exactly happened to me. After reading in the comments section of Balaji's Pattiyal review, that the movie is a complete rip-off from Bangkok Dangerous, I decided to watch Bangkok Dangerous first and that eventually sealed the deal. So, instead of writing how good a movie Pattiyal is, now I have been forced to write to what extent Vishnuwardhan has ripped Pattiyal off from BD and eventually had to rename the title of my post to Chennai Dangerous :)

There is very little originality as far as Pattiyal is concerned. Though he does concede in this Rediff interview that Bharath's character was inspired from a Thai movie, it is a plain lie. Bcos, it is not just Bharath’s character, but almost the entire movie that is a rip-off and at the end of it, you just can not appreciate even the best of things that Pattiyal has to offer. I mean, getting inspired is no big deal, even someone as accomplished as Mani Rathnam does it. But it is the extent to which a director is inspired that matters in the final analysis. There so many minute scenes in the movie that have been completely inspired from Bangkok Dangerous. The name of the hero of the Thai movie is Kong and his friend’s name is Joe. So now lets look at the similarities in both the movies

Kong is deaf and dumb
Bharath is deaf and dumb

Kong's girl friend works at a pharmacy and he meets her for the first time when he catches a cold & he goes to the pharmacy to get a medicine for the same.
Pooja works in a pharmacy and Bharath meets her for the first time when he catches a cold & he goes to the pharmacy to get a medicine for the same.

Its getting repetitive now, as I am typing everything twice. So, let me just type the scenes from the original movie and I leave it to you to take the pain of substituting Kong with Bharath and Joe with Arya. Sounds fair enough?

The person who gives assignments to both Kong and Joe meets them at a tea shop where he hands them over the jobs.
Every time an assignment is given to Kong, he sees the photo of the person to be killed and then burns the photo.
Kong's girl friend lives alone with her grandmother.
For the assignment of killing a big shot, Kong travels from Bangkok to Hong Kong (In this case, substitute Hong Kong with Coimbatore and Bangkok with Chennai)
Joe takes revenge for the rape of his girl friend by killing the guy who raped her. And hold your breath, he carries out this killing in a public bathroom. And after killing him, he fires a round in the groin of the victim.
Then he himself gets killed for doing it.
Kong gets killed in the end for carrying out the assassination of the big shot from Hong Kong.

And to me, this one is the ultimate:

Kong's girl friend who works in the pharmacy also has a friend who is fat.

So, now folks, whoever has seen Pattiyal should be aware of the extent to which Vishnuwardhan has gone to give us a un-abridged version of Bangkok Dangerous. Even the fast camera movements which were kind of new to Tamil cinema has been inspired from the movie. The final point I had mentioned in my list was the killer. Something like what Kamal stole from Life of David Gale for Virumandi. I mean, copying the scenes where a journalist goes to the prison to interview a prisoner on death-row is fine but having the same pair of a woman and a junior intern guy to do that, just speaks of complete absence of creativity on the part of Kamal. (While on Life of David Gale and Virumandi, Balaji’s take on it is a good read. Read it
here)

But 2 things stood out, in spite of all this - Yuvan's music & BGM and the histrionics of the lead actors. Yuvan just knows when to do good re-recording. He was just awesome through out the movie, especially in those serious scenes where he reminds us again he is his father's son. The songs in the movie, as has become the norm from Yuvan now-a-days, are very catchy & addictive and the picturization too was OK. Everyone in the movie, starting from Bharath to 'Azhagiya Theeye' Balu, has done their part exceedingly well. For me, it is really hard to make out who among Arya and Bharath was better in this movie. But if dancing is considered to be part of acting, then Bharath obviously was the clear winner. It is not that Arya is bad but it is just that Bharath is just too good.

But for these two aspects of the movie, Vishnuwardhan might as well have changed his name in the credits to say "Story, Screenplay & Direction - adapted from Bangkok Dangerous by Vishnuwardhan". Disgusting, to say the least!!

Thursday, April 06, 2006

India trip movies reviews - Part II

Rang De Basanti - Me did not think it was an excellent movie, as everyone has portrayed it to be. For some reason, I wasn't able to relate to the movie at all. The director has to be commended to have treaded upon such a novel concept wherein he intelligently relates the struggles of our freedom fighters to struggles that we face in the concurrent world. But somehow I thought he ended up giving a half-baked product, with nothing about both the freedom fighters of the old and the transformation of the 5 member gang getting registered in my mind. And the final few scenes were plain hard to sit through, with all the justification they were doing on radio, though very noble & ambitious, just getting on my nerves. As my friend said, emotional dramatization would be the correct word to describe their response one gets to see in the climax. Though anything remotely patriotic usually stirs me up easily, this failed to evoke the same kind of excitement in me like other movies have done before. This, being a supposedly patriotic movie, I have to make this comparison with my other favorite movie, Lakshya. But it was an easy decision for me to say that Lakshya is far better than RDB. Somehow, the scenes which portrayed the transition of the guys from carefree guys to resolute youngsters emulating our freedom fighters didn't impress one. There have been better movies which have shown our freedom fighters in a more detailed & effective way than what was shown here.

Though ARR's songs sounded fresh, he was as always disappointing in the background score. But that was only in the first half. The second half was a wholly different story and one got to see ARR at his re-recording best. As far as performances go - though everyone is raving about Sidharth's and Aamir Khan's performances, I wasn't really impressed that much with both of them. There were atleast a handful of scenes where Sidharth did not do all that well in the acting department (And no matter how much they tried to show off Aamir as a 20 something, he looked plain ridiculous). It was actually Kunal Kapoor as Aslam who impressed me the most.

Finally, I do not agree with many when they say that given the crappy movies that Bollywood is dishing out these days, RDB is a commendable effort. Though it is indeed true, just bcos RDB is marginally than the crappy movies, it should be not praised to the sky, like many have been doing. Its like giving RDB 60 marks out of 100, and then praising it as though it is a 90 mark movie just bcos it is better than 40 mark movies. It is a good movie. Nothing more than that. Period.

Idhaya Thirudan - A typical Charan movie with all the essential ingredients of a good masala movie. The movie has no great storyline per se but Charan (as always) intelligently mixes everything - a miniscule storyline, item number with a catchy song and very attractive dance steps, comedy, a beautiful heroine - in the right proportions and gets it right in the end. Songs which are usually the highlight of Charan - Bharadwaj combo movies were kind of a disappointment. Jeyam Ravi has definitely improved from his pervious films and the one area - voice modulation - in which he sucked in his first 2 movies, he has improved in that too. Shows off his body unnecessarily in many scenes, emulating Salman. Only that, he does not have as good a body as Salman. I wonder why is it that none of our Tamil heroes have a neatly trimmed body with six pack abs and all while at the same time many in the Hindi film industry have well sculpted bodies. Though Surya and Jeyam Ravi are better than the Tamil heroes of yesteryears, we still have a long way to go in catching up with the Bollywood heroes.

In spite of this movie turning out to be good time-pass, I have the strong feeling that Charan should do serious movies more often. In my opinion, his best movie has been Alli Arjuna, which was probably the worst as far as BO rankings among his movies are concerned. It was easily Manoj's best suited role and Charan deserves credit for that. His last 3 movies - Vasoolraja MBBS, Jay Jay & this one - have all been just light-hearted stuff. Time for him to make a serious movie, which is something he is very much capable of making. Overall, an enjoyable & Agmark Charan film but I still can't understand why this movie was a complete disaster at the BO.

Dishyum - I had no clue as to what this movie was about when I entered the movie hall (except for the fact that it is a movie directed Sasi who had given us Sollaamale and Roja Koottam earlier) and this movie turned out to be a very pleasant surprise. I haven’t seen Sollaamale yet but Roja Koottam was a really decent movie which had all the sentiments & emotions of the characters in the right place. Dishyum goes one step further and ends up being close to a perfect product. The one thing I liked about this movie is that this being a movie about the love in the life of a stuntman, the director does not go overboard when it comes to dealing with stuntmen and their lives. By overboard, I mean he did not dedicate some scenes just to show off how tough a profession theirs is. Even in the few scenes that do that, he has made sure that those scenes gel with the overall flow of the story. Though the story as such is nothing to rave about, the way Sasi has handled it deserves a lot of appreciation. Equally interesting is how Sasi has shaped up Jeeva's character. As every scene unfolded, I was looking forward to what Risk Bhaskar had in store for us..

This guy Jeeva needs special credit for the kind of characters he is choosing. After Raam where he played an autistic kid, here he is as a stuntman with the now-famous nickname Risk Bhaskar. Everything about him – be it his body language, or his dialogue delivery, or doing comedy – was just so natural & cool and he fit the role to the T. Sandhya too was pretty good, a bit over-acting at some places but more than decent on the whole. I even liked the comedy track of the movie. Though it kind of borders on ridiculing someone’s physical weakness of not having proper growth, almost all the comedy scenes made me laugh. Couple of songs are worth listening many a time (this was what I wrote after watching the movie once). But now after watching the movie again in DVD, I guess almost all the songs are pretty good, the item number included. So, it is only natural that the 'Nenjaankoottil' song is already topping the charts back in India. The other thing that is hard to miss is the choice of singers for all the songs in the movie. Looks like Vijay Anthony had made a vow to use completely different sounding voices, which didn’t go all too well. Many reviewers have pointed out that the climax of the movie is what let the movie down. But I felt that the climax wasn't that bad. Except for the fact that it reminds you of the Alaipayudhe climax. On the whole, this was the second best movie that I saw during the trip (next to RDB).

Monday, April 03, 2006

It takes more than just courage…


This picture above is from the website www.oviyaas.com, hosted by a batch mate of mine I didn’t even know of from Anna university. Looks like after the completion of his BE from CEG, he went on to become an artist by profession. Got this link from my friend in an email.

Looking at some of the pictures in the site, I went 'Wow!!' Some of them just too good, especially the natural sceneries gallery. And the best thing to emerge out of my knowledge of this site is this: wedding gifts. The one issue we (implying a group of friends joining together) have been problems in the recent past is what to gift to our friends for their weddings. Invariably, the one thing we have ended up gifting on most occasions is : silver kuthuvilakku. This is a gift that I hate to give but somehow my friends in India reasoned to me that it is a valuable gift that will never go useless. I am sure many of you might have gifted the same to your friends too. (How I wish we have the same 'Wedding registry' that they have here). And here he suggests a very good alternative of gifting the couple, a picture of them together. Obviously, this is not going to be possible on the wedding day since we wont be able to get a picture of the couple until the wedding together and hence this gift can not be given on wedding day. But even then, I guess this is a gift that will be worth the wait for the couple.

Do check out the pictures in the site, which has his contact details too. This guy is really talented. More than that, what is really amazing is to see people like him, who pursue their dreams in the fields in which they are really interested. Another of my batch mates from MIT went on to become an assistant director in films (he was one of the assistant directors to Gautham Menon in Kaakka Kaakka and is currently working in Jillendru Oru Kaadhal, again as an assistant director. I am just waiting for the day he becomes a director by himself). Coming back to the topic of this post, during my next India trip, I am going to have portraits of Thalaivar and Sachin painted by him. That would be a wonderful collection to have at home!!

Here’s saluting the courage and the never-say-die perseverance of Thangapandi. Coming on the heels of Sarath, this is another truly inspirational story. Way to go, guys!!!